In Training Matthew Robertson the motion of vídeo art

the motion of vídeo art and the marginality of street art

patiently waiting for it to stop burning

I had always loved that episode and I pictured a similar scenario in which the make-believe creatures of childhood suffer a similar “crime” as one grows old

She is mostly self-taught and has learned her skills from old dusty books

In Training Matthew Robertson the motion of vídeo artDetails About Ceramic, cold finish, 22kt premium gold luster 11. 5 x 20 x 13 in. 2022 Free standing sculptures (2 pieces) Erika Sanada's early inspirations stemmed from creatures and characters of horror films. Watching these stories were a way for her to escape unpleasant realities during childhood. She creates intricate, hairless ceramic creaturesoften adorable but also unsettling and bizarre. Her artwork has been published in Hi Fructose Magazine,