Vol. XVIII · Free shipping $75+ · Read the collection
Feature · Product Review

A Fine Mid-19thC Dutch Oil on Panel Funerary Hatchment or Rouwborden: The Marital Arms of Willem Frederik George Lodewijk van Oranje-Nassau, King Willem II of Netherlands & Queen, Grand Duchess Anna Pavlovna of Russia, c.1849 sub-Rugs- Carpets & Textiles seated on a barley twist

A Fine Mid-19thC Dutch Oil on Panel Funerary Hatchment or Rouwborden: The Marital Arms of Willem Frederik George Lodewijk van Oranje-Nassau, King Willem II of Netherlands & Queen, Grand Duchess Anna Pavlovna of Russia, c.1849 sub-Rugs- Carpets & Textiles seated on a barley twistOrigin: Dutch Period: Mid Nineteenth Century Provenance: Unknown Date: c. 1849 65 The Hatchment: 16. 25 x 13 The Whole in Frame: 22. 75 x 19. 5 Beautifully depicted by a Dutch hatchment painter, the oil on oak panel, showing the St George inescutcheon of the Imperial Russian arms and the field of the Oranje Nassau shield of the Dutch, survives from the third quarter of the nineteenth century presented in a good composition and ebonized moulded frame.

SKU: 40787908870 · From cantondelareina.com.ar

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Description

seated on a barley twist leg chair

Some are more stained than others and the oak frames have some scuffing

one gets the impression he was a man of devotion and loyalty

The well known “Barking Bulldogs” of the 1890’s had hidden wheels in their feet similar to this example

A Fine Mid-19thC Dutch Oil on Panel Funerary Hatchment or Rouwborden: The Marital Arms of Willem Frederik George Lodewijk van Oranje-Nassau, King Willem II of Netherlands & Queen, Grand Duchess Anna Pavlovna of Russia, c.1849 sub-Rugs- Carpets & Textiles seated on a barley twistOrigin: Dutch Period: Mid Nineteenth Century Provenance: Unknown Date: c. 1849 65 The Hatchment: 16. 25 x 13 The Whole in Frame: 22. 75 x 19. 5 Beautifully depicted by a Dutch hatchment painter, the oil on oak panel, showing the St George inescutcheon of the Imperial Russian arms and the field of the Oranje Nassau shield of the Dutch, survives from the third quarter of the nineteenth century presented in a good composition and ebonized moulded frame.

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